Theories of Creativity: The Significance of the Insignificant. A Graphic Novel

Benjamin Schiemer; Roman Duffner; S.R. Ayers

doi:10.6092/issn.1971-8853/12775

Authors

Benjamin Schiemer Institute of Organization Science, Johannes Kepler University, Linz http://orcid.org/0000-0002-2930-8098

Dr. Benjamin Schiemer MSc is researcher at the Institute of Organization Science at Johannes Kepler University Linz. His research interests cover organizational anthropology, ethnography, science and technology studies, and processual studies of collaborative creativity in music.
Roman Duffner Institute of Theory and History, Anton Bruckner Private University, Linz; Institute of Organization Science, Johannes Kepler University, Linz

Mag. L. Roman Duffner MA is doctoral researcher at the Institute of Theory and History at Anton Bruckner Private University Linz and the Institute of Organization Science at Johannes Kepler University Linz. His research interests cover studies of music and society, science and technology studies and practices in creative work.
S.R. Ayers

S.R. Ayers is a self-taught artist that has been working in comics, illustration & animation for magazines and productions in the US, Austria & Germany for the last fifteen years. Along with printed and animated work he has also performed as the live-drawing artist for multiple music/multi-media bands, always with a socially and politically conscious direction in the storytelling. https://www.instagram.com/herr.slidetooth/

DOI:

https://doi.org/10.6092/issn.1971-8853/12775

Keywords:

Graphic Novel, Creativity Theories, Temporal Affordance, Trivial Object, Incompleteness

Abstract

This graphic novel offers an insight into various theoretical approaches in creativity theory. In their search for approaches that provide the best possible explanation for how ideas come about, the main actors (scientists) of our story encounter a wide variety of allegories (in the form of superheroes) representing creativity theories on a fictitious distant planet. They end up in remote areas and finally encounter theories that, at first glance, cannot make a significant contribution to creativity. These theories are our contributions to the topics of incompleteness, temporal structuring, and trivial objects that we have developed in recent years as part of ethnographic research on creativity in music. The initial assumption that these theories have less explanatory value for the emergence of ideas turns out to be a fallacy in our story.

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Theories of Creativity: The Significance of the Insignificant. A Graphic Novel

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