“Ideology” and After: Reinscribing the Aesthetics of Symbolic Structure in Geertz

Authors

  • Jeffrey C. Alexander Department of Sociology, Yale University https://orcid.org/0000-0003-3600-8023
  • Anne Taylor Department of Sociology, Yale University https://orcid.org/0000-0003-4891-7187

DOI:

https://doi.org/10.6092/issn.1971-8853/17767

Keywords:

Clifford Geertz, cultural sociology, thick description, interpretation

Abstract

This essay explores the transformational effects that Clifford Geertz’s The Interpretation of Cultures had on the development of a meaning-centered cultural sociology. Though “Deep Play” and “Thick Description” were his most popular essays, we argue that it was “Ideology as a Cultural System” that marked Geertz’s most significant contribution. In response to Parsonian functionalism and conflict theory, Geertz’s emphasis on interpretation — inspired by cutting-edge work in the humanities in the mid-20th century — brought the relative autonomy of culture back into focus in the human sciences. While considering how “Deep Play: Notes on the Balinese Cockfight” and “Thick Description: Toward an Interpretive Theory of Culture” also helped pave the way for a systematic theory of culture, we argue that they also represented a dangerous new tendency in Geertz’s work, namely his refusal to move beyond empirical description. The late resistance to theorizing undercut the purchase of Geertz’s breakthrough ideas for contemporary efforts at socio-cultural explanation.

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Published

2024-06-20

How to Cite

Alexander, J. C., & Taylor, A. (2024). “Ideology” and After: Reinscribing the Aesthetics of Symbolic Structure in Geertz. Sociologica, 18(1), 7–23. https://doi.org/10.6092/issn.1971-8853/17767

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