Power, Performance, and the Embodied Ideal: Exploring Gender Dynamics in the Theatre Industry
DOI:
https://doi.org/10.6092/issn.1971-8853/19490Keywords:
Theatre, power, gender, body, sexualityAbstract
The intricate interplay between power dynamics, gendered ideals, and bodily practices is often witnessed within different industries including theatre. Through qualitative interviews and observations of plays and rehearsals, the research paper investigates the power structure that exists within the industry along with the embodiment of gendered expectations focusing on the construction and perception of the body as a “work in progress”. It underscores the complexity of power dynamics, hierarchy, and gender within the industry, highlighting persistent challenges such as gender disparities and male-dominated networks. It argues that power in theatre is dispersed across various entities and operates through networks of relationships and practices. Despite progress towards gender parity, systemic barriers hinder women’s advancement in leadership roles and very often impact body representation on stage. The paper advocates for fostering equitable and inclusive theatre environments by addressing underlying power dynamics, promoting diversity in leadership, and challenging traditional norms.
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